Our rental car's GPS passive agressively guided us the "direct" (wrong) way down one-way narrow streets in the city's historic center before encouraging us with a chuckle to drive over what seemed to be a small pedestrian plaza to our hotel. Huh: a broad, tree-lined street seemed to lead to our destination as well, but what fun would that have been? After unloading the luggage, we struck out on middle-of-the-day, searingly sunny march for lunch and to get what my dad refers to as a "lay of the land." We made it a few hundred yards before tucking into some tapas, some of our best yet of the trip: rabo del toro (ox-tail roasted tender) was a delicious specialty. By a stroke of luck, that evening we watched a full-scale public procession from the Cathedral to the center square commemorating Corpus Christi, a Christian holiday celebration for which Cordoba is known. Rosemary, sage, and lavender scattered thickly along the parade route stirred up a rich citrus-y aroma as on-lookers peeked from balconies decorated with hand-painted tasseled silk scarves. Patios, also of Cordoban renown, beckoned from behind iron-grilled gates or appeared suddenly upon turning up a quiet alley -- their potted flowers reflected in the surface of cool gurgling water fountains.
The next morning we entered the Mezquita, the principal tourist attraction of this Andalusian town. Spanish for "mosque," the Mezquita symbolizes and embodies to this day the tension between and the fusion of Christianity and Islam. What a sight it is: Quiet, dark, low-ceilinged intimate space and stretch-to-infinity Moorish arches supported by delicate columns greet us as we enter. Suddenly, in the center of this peaceful labyrinth, a blindingly white, soaring-roofed, Baroque-ly loud and triumphant cathedral appears, stitched seamlessly into the mosque's arches. You got it: not a cathedral built over a mosque built over a church (a dime a dozen throughout southern Spain), but a cathedral built within a mosque built over a church. Regardless of the architectural mixed messages, since the Reconquista victory in 1236 the Catholic Church has treated the sacred space as unambiguously Christian.
In this place history's interpretation matters. After local Muslims expressed an interest recently to resume Friday prayer here, the Catholic Diocese of Cordoba responded with a glossy marketing display emphasizing that "the Cathedral of Cordoba is not simply a monument or a temple of different cultures; nor is it a mosque, but the Mother Church of the Diocesis." In other words: no.But there is more to a history including a small Visigothic church at this site, its destruction at the hands of the Moors and the subsequent construction of the third largest mosque in the world during the Caliphate of Cordoba, and its Christian co-optation by King Ferdinand III as the Christians marched steadily south, eventually completing the "reconquest" of Spain over the Moors in Granada in 1492. In the twelfth century, while under Moorish rule, Cordoba was the largest city in Europe, the first with lighted streets and indoor plumbing, and producer of some of the finest minds of the Middle Ages, including the great Jewish and Muslim philosophers Maimonides and Averroes.
This period of Moorish religious tolerance and blossoming civilization inspired the developers of the proposed Islamic prayer space and community center to name the project "Cordoba House." While I don't profess to know the ins and outs of the current controversy over the siting of this center so close to Ground Zero, I believe strongly in the potential of the peoples of the Book (Jews, Christians and Muslims) to find much common ground in their overlapping faiths and to build great things from this shared foundation. It happened in Cordoba once. And the Mezquita's Islamic-Christian architecture may one day herald the way ahead: from pain and conquest to dialogue and reconciliation.
